Webb‘Structure and Metatheatricality in Plautus’ Epidicus’, L. Maurice 39 mixture of metres and iambs to mark the entrance of Epidicus (166-305, 320-40a). Epidicus’ monologue in iambic senarii (306-19), which is itself paralleled by a monologue by Periphanes in the second half of the play (517-25), divides the two sections of mixed metres. WebbOsofisan's Tegonni, has betrayed a reception of such metatheatricality as identified in Plautus' Miles Gloriosus. But beyond hosting own critique, both plays portray an …

Metatheatricality in The Tempest : r/shakespeare - Reddit

Webbdrama. Plautus has long been recognised as a self-conscious dramatist, who uses various techniques to underscore the nature of the play as drama. Metatheatricality, whereby … WebbThe reception and subsequent reputation of the Greek theatrical convention among Plautus’ audience, has recently been attributed to his skilful re-theatricalisation of the … scanning history

Metatheater as Social Critique: Temporary Transgressions in Plautus …

Webbhas betrayed a reception of such metatheatricality as identified in Plautus’ Miles Gloriosus. But beyond hosting own critique, both plays portray an undercurrent of events privileging a socio-cultural hermeneutics, whose currency subsists even in contemporary climes. The paper examines the reception of Plautine WebbStructure and Stagecraft in Plautus' Miles Gloriosus Lisa Maurice Education 2007 Over recent years it has been recognised that Plautus often uses metatheatricality to underscore the artificiality of his plays, and the Miles Gloriosus has been highlighted as a particularly… Expand 5 Webbhas betrayed a reception of such metatheatricality as identified in Plautus’ Miles Gloriosus. But beyond hosting own critique, both plays portray an undercurrent of events … ruby sunrise chattanooga